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New Vintage Series - handwired - point to point

    JTA - 15     TOP         abt. 17 Watts

New model with JTA-45 Sound at a volume level suitable for small clubs.

"You are too loud?" I bet every guitar player knows this tune from his colleagues at
rehearsal or from the man at the mixer at bigger gigs. Every player wants to get the real
overdrive or have that fat crunch from his amp, but many times volume is a problem
.

The new CREAM JTA-15 has got that fat killer BLUESBREAKER Sound at a volume level
that even suits small clubs.

The JTA-15 is a professional, all handwired amplifier that also got a convincing CLEAN
Sound. Due to the 2xECC 83 and 1xECC82 in the pre-amp section, this amp got plenty of
clean headroom. It makes it a very flexible amp for many styles even suitable for those
cleansound Jazz players, not only for those about to rock who love overdrive and crunch
sounds, which, by the way, you can achieve just by using guitar and cable.


Now incl. Deluxe Cabinet  (same size as JTA-45)



Price inside EU incl. 19% VAT 

EUR 1.098,00                                                 

Price outside EU excl. 19% VAT

EUR    922,00

USD 1.198,00          

All prices plus shipment:  Europe 25 Euro - Worldwide 60 Euro

Paymen by 
PayPal  accepted




Special features:

Sound Control: Bass, Middle, Trebl

Master Volume

Technical Data:

Tubes:                2 x ECC83, 1x ECC82, 2x EL84
                           1x EZ81 rectifier tube

Tolex Color:       Black

Weight:                      approx. 11 kg

With new specially strengthened Aluminum Chassis 
(see Cream JTA45)


Backside

3 Speaker-Outputs: 4 - 8 - 16 Ohm

Additional Line Out





Tuning tested

We did, before shipping out the first amps, test different brands of tubes and thus still improve the sound of the JTA-15 by maybe 10%. We did find out the best power tube setting this way for instance and also the best sounding preamp tubes. We shipped this max level setting then. After that we asked a technician to tune the JTA-15 to find out if there still was some room for improvement. Original MUSTARD Capacitors from the 60s were used for instance. Comparing a stock amplifier with this tuned version was in fact astonishing: The stock JTA-15 with that optimised tube setting sounded much better than the tuned version with the 60s MUSTARDS. With our original capacitors the amps sounds great. In other words: Tuning is not necessary. For the review in the Gitarre & Bass magazine the normal stock amplifier was used.



Review      Cream  JTA-15

Gitarre & Bass Magazine  -   Issue 10/2011  (excerpts) 

The promised intention of the maker of the JTA-15 to offer an alternative for the JTA-45, but just with a lower volume level, became apparent in our test.

The JTA-15 in fact sounds like a ?small? JTA-45 and not like any new 18W product. Especially the warm and clean basic tone was convincing right from the start.
What comes out of the speakers, expresses the character of the guitar and that of the player and is in no way any unpleasantly coloured statement of the amplifier.

At Volume levels up to 4, the tone always stays clean and warm with the stock (ECC 82) topboost valve. The class A circuit gives a pleasant compression and singing single notes, that also cut through in melodies. Only if you hit the strings harder, a smacking attack gets added on top of every note. If you turn the JTA-15 up completely you get power- chords, that you seldom get out of any JTM-45, as with the JTA-15 the tone stays crisp and contured with lots of middle at all times.

If you turn the master volume down, the sounds becomes
clearerand warmer. Very Nice!

It is absolutely easy to get all nuances from clean, crunch and heavy distortion out of this amp. With a ECC83 put in the topboost channel, the distortion becomes even more juicy and fat and you find yourself in the AC/DC region somehow, ready to really rock the house at a moderate volume level.

The most tempting thing about this new amplifier is the fact, that you can rock & roll without any kind of bad conscience and without being afraid of annoying the neighbours or your fellow musicians and still go strong with that exquisite late sixties Blues-Rock sound à la Clapton, Gary Moore or Banamassa.



 
 
 
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